<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8151876</id><updated>2011-04-21T16:14:17.914-07:00</updated><title type='text'>Top 100</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://cinemaetceteratop100.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8151876/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://cinemaetceteratop100.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Michael K.</name><uri>http://www.blogger.com/profile/10983425929991120494</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8151876.post-109399655809911507</id><published>2004-08-31T16:35:00.000-07:00</published><updated>2006-05-16T06:30:01.160-07:00</updated><title type='text'>Top 100</title><content type='html'>My top 100 is awfully mercurial. Mainly due to my equally mercurial opinions. I'm now waiting for concussion #8 (i think), and it seems that the previous 7 have done nothing to help my memory. What does this mean? Often I forget my opinion of a film. I remember the basic liked it/didn't like it stuff, but as to whether it is #47 or #53 on my top 100, well...that changes more often than  I care to admit. So here it is: my top 100 of right now. Come back often, because I guarantee you it'll change in a couple weeks. &lt;br /&gt;&lt;br /&gt;Updated 031005. Had to change everything again. Sorry.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;&lt;strong&gt;Revision Log&lt;/u&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;111205&lt;/strong&gt; - added &lt;em&gt;Le Samouria&lt;/em&gt; (#94), bumped &lt;em&gt;Goodfellas&lt;/em&gt;.&lt;br /&gt;&lt;strong&gt;060205&lt;/strong&gt; - added &lt;em&gt;Two-Lane Blacktop&lt;/em&gt; (#93), bumped &lt;em&gt;The Killer&lt;/em&gt;. &lt;br /&gt;&lt;strong&gt;052105&lt;/strong&gt; - am I losing all cred by instilling three films in my canon in one week? God, I hope not. That said, &lt;em&gt;The Life Aquatic&lt;/em&gt; (#56) simply glows on second viewing. Space limited, I'll just say that not only is it a fascinating study on aging, i.e. living in a time where your best years are long gone, but it is also a great film about making films - the pressures, the good times, the irritating assholes, etc. Oh yeah, gone is &lt;em&gt;Rebel Without a Cause&lt;/em&gt;. &lt;br /&gt;&lt;strong&gt;052005&lt;/strong&gt; - and in one of those rare occurences, back-to-back films make the pantheon. &lt;em&gt;F for Fake&lt;/em&gt; (#55) knocks out George Lucas' near perfect portrait of Nor-Cal high school life in the 60's, &lt;em&gt;American Graffiti&lt;/em&gt;.&lt;br /&gt;&lt;strong&gt;051905&lt;/strong&gt; - added &lt;em&gt;Exotica&lt;/em&gt; (#65), bumped &lt;em&gt;Amelie&lt;/em&gt;.&lt;br /&gt;&lt;strong&gt;031705&lt;/strong&gt; - added &lt;em&gt;L'Eclisse&lt;/em&gt; (#44), bumped &lt;em&gt;The Limey&lt;/em&gt;. Added &lt;em&gt;Taxi Driver&lt;/em&gt; (#89), bumped &lt;em&gt;Through a Glass Darkly&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1. High Fidelity (Stephen Frears, 2000)&lt;br /&gt;2. Rushmore (Wes Anderson, 1998)&lt;br /&gt;3. Manhattan (Woody Allen, 1979) &lt;br /&gt;4. In the Mood for Love (Wong Kar-Wai, 2000)&lt;br /&gt;5. In a Lonely Place (Nicholas Ray, 1950)&lt;br /&gt;6. The Man Who Wasn’t There (Coen Bros., 2001)&lt;br /&gt;7. Pulp Fiction (Quentin Tarantino, 1994)&lt;br /&gt;8. Good Will Hunting (Gus Van Sant, 1997)&lt;br /&gt;9. The Godfather Pts. I &amp; II (Francis Ford Coppola, 1972/74)&lt;br /&gt;10. Kill Bill (Quentin Tarantino, 2003/04)&lt;br /&gt;11. Star Wars Trilogy (George Lucas, 1977-83)&lt;br /&gt;12. Il Posto (Ermanno Olmi, 1961)&lt;br /&gt;13. Grand Illusion (Jean Renoir, 1937)&lt;br /&gt;14. Annie Hall (Woody Allen, 1977)&lt;br /&gt;15. Rear Window (Alfred Hitchcock, 1954)&lt;br /&gt;16. The Battle of Algiers (Gillo Pontecorvo, 1965)&lt;br /&gt;17. L'Avventura (Michelangelo Antonioni, 1960)&lt;br /&gt;18. The General (Buster Keaton, 1927)&lt;br /&gt;19. Dogville (Lars von Trier, 2004)&lt;br /&gt;20. Playtime (Jacques Tati, 1967)&lt;br /&gt;21. Once Upon a Time in the West (Sergio Leone, 1968)&lt;br /&gt;22. The 400 Blows (Francois Truffaut, 1959)&lt;br /&gt;23. Charade (Stanley Donen, 1963)&lt;br /&gt;24. Paths of Glory (Stanley Kubrick, 1957)&lt;br /&gt;25. The Marriage of Maria Braun (Rainer Werner Fassbinder, 1978)&lt;br /&gt;26. Band of Outsiders (Jean-Luc Godard, 1964)&lt;br /&gt;27. Children of Paradise (Marcel Carne, 1945)&lt;br /&gt;28. 2001: A Space Odyssey (Stanley Kubrick, 1968)&lt;br /&gt;29. Do the Right Thing (Spike Lee, 1989)&lt;br /&gt;30. The Thin Red Line (Terrence Malick, 1998)&lt;br /&gt;31. Straw Dogs (Sam Peckinpah, 1971)&lt;br /&gt;32. A Woman Under the Influence (John Cassavetes, 1974)&lt;br /&gt;33. Hannah and Her Sisters (Woody Allen, 1986)&lt;br /&gt;34. The Rules of the Game (Jean Renoir, 1939)&lt;br /&gt;35. 25th Hour (Spike Lee, 2002)&lt;br /&gt;36. 8 1/2 (Federico Fellini, 1963)&lt;br /&gt;37. Brief Encounter (David Lean, 1945)&lt;br /&gt;38. The Silence (Ingmar Bergman, 1963)&lt;br /&gt;39. Code Unknown (Michael Haneke, 2000)&lt;br /&gt;40. Dancer in the Dark (Lars von Trier, 2000)&lt;br /&gt;41. O Brother, Where Art Thou? (Joel Coen, 2000)&lt;br /&gt;42. The Seventh Seal (Ingmar Bergman, 1957)&lt;br /&gt;43. Monty Python and the Holy Grail (Terry Gilliam/Terry Jones, 1975)&lt;br /&gt;44. L'Eclisse (Michelangelo Antonioni, 1962)&lt;br /&gt;45. Elephant (Gus Van Sant, 2003)&lt;br /&gt;46. The Passion of Joan of Arc (Carl Th. Dreyer, 1928)&lt;br /&gt;47. The Bicycle Thief (Vittorio De Sica, 1947)&lt;br /&gt;48. Badlands (Terrence Malick, 1973)&lt;br /&gt;49. Winter Light (Ingmar Bergman, 1962)&lt;br /&gt;50. Walkabout (Nicolas Roeg, 1971)&lt;br /&gt;51. Punch-Drunk Love (Paul Thomas Anderson, 2002)&lt;br /&gt;52. The Night of the Hunter (Charles Laughton, 1955)&lt;br /&gt;53. Le Cercle Rouge (Jean-Pierre Melville, 1970)&lt;br /&gt;54. Night and the City (Jules Dassin, 1950)&lt;br /&gt;55. F for Fake (Orson Welles, 1974)&lt;br /&gt;56. The Life Aquatic with Steve Zissou (2004)&lt;br /&gt;57. Early Summer (Yasujiro Ozu, 1951)&lt;br /&gt;58. Rounders (John Dahl, 1998)&lt;br /&gt;59. Short Cuts (Robert Altman, 1993)&lt;br /&gt;60. Mon Oncle (Jacques Tati, 1958)&lt;br /&gt;61. Fargo (Joel Coen, 1996)&lt;br /&gt;62. The Conversation (Francis Ford Coppola, 1974)&lt;br /&gt;63. Citizen Kane (Orson Welles, 1941)&lt;br /&gt;64. Smiles of a Summer Night (Ingmar Bergman, 1955)&lt;br /&gt;65. The Royal Tenenbaums (Wes Anderson, 2001)&lt;br /&gt;66. Ikiru (Akira Kurosawa, 1952)&lt;br /&gt;67. Exotica (Atom Egoyan, 1995)&lt;br /&gt;68. The Big Lebowski (Joel Coen, 1998)&lt;br /&gt;69. Bottle Rocket (Wes Anderson, 1996)&lt;br /&gt;70. Dr. Stangelove or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964)&lt;br /&gt;71. The Matrix (Wachowski Bros., 1999)&lt;br /&gt;72. Psycho (Alfred Hitchcock, 1960)&lt;br /&gt;73. Umberto D. (Vittorio De Sica, 1952)&lt;br /&gt;74. Faces (John Cassavetes, 1968)&lt;br /&gt;75. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)&lt;br /&gt;76. Chungking Express (Wong Kar-Wai, 1994)&lt;br /&gt;77. Gerry (Gus Van Sant, 2002)&lt;br /&gt;78. Le Corbeau (Henri-Georges Clouzot, 1943)&lt;br /&gt;79. The Shop Around the Corner (Ernst Lubitsch, 1940)&lt;br /&gt;80. Secret Honor (Robert Altman, 1984)&lt;br /&gt;81. Fear and Loathing in Las Vegas (Terry Gilliam, 1998)&lt;br /&gt;82. Duck Soup (Leo McCarey, 1933)&lt;br /&gt;83. Shock Corridor (Samuel Fuller, 1963)&lt;br /&gt;84. Eyes Without a Face (Georges Franju, 1960)&lt;br /&gt;85. The Last Temptation of Christ (Martin Scorsese, 1988)&lt;br /&gt;86. Modern Times (Charlie Chaplin, 1936)&lt;br /&gt;87. The Umbrellas of Cherbourg (Jacques Demy, 1964)&lt;br /&gt;88. Reservoir Dogs (Quentin Tarantino, 1992)&lt;br /&gt;89. Cleo from 5 to 7 (Agnes Varda, 1962)&lt;br /&gt;90. Ratcatcher (Lynne Ramsay, 1999)&lt;br /&gt;91. Thieves' Highway (Jules Dassin, 1949)&lt;br /&gt;92. Taxi Driver (Martin Scorsese, 1976)&lt;br /&gt;93. Two-Lane Blacktop (Monte Hellman, 1971)&lt;br /&gt;94. Le Samouria (Jean-Pierre Melville, 1967)&lt;br /&gt;95. George Washington (David Gordon Green, 2000)&lt;br /&gt;96. Solaris (Steven Soderbergh, 2002)&lt;br /&gt;97. Breathless (Jean-Luc Godard, 1959)&lt;br /&gt;98. The Graduate (Mike Nichols, 1967)&lt;br /&gt;99. Fight Club (David Fincher, 1999)&lt;br /&gt;100. Ali: Fear Eats the Soul (Rainer Werner Fassbinder, 1974)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8151876-109399655809911507?l=cinemaetceteratop100.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://cinemaetceteratop100.blogspot.com/feeds/109399655809911507/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8151876&amp;postID=109399655809911507' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8151876/posts/default/109399655809911507'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8151876/posts/default/109399655809911507'/><link rel='alternate' type='text/html' href='http://cinemaetceteratop100.blogspot.com/2004/08/top-100.html' title='Top 100'/><author><name>Michael K.</name><uri>http://www.blogger.com/profile/10983425929991120494</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry></feed>
